![]() ![]() ![]() In this first part I tried to describe not only this girl’s talent when she attends a fine arts school in La Plata, where she wins prizes at exhibitions, but also the astuteness of the professor. The other is Yuna, the narrator, who loves to paint. One is a handicapped girl, Betina, who’s in a wheelchair. Yuna’s mother feels a profound detachment from her family in particular because her husband abandoned her with two very strange daughters. I explain what the family of the protagonist, Yuna, was like: what her mother did, what her cousins were like, her sister, her aunt Nené, and the art professor, whose role in the development of the story is crucial. I had those authors as a point of reference for this first chapter of my novel, Las primas. Lope de Vega, for example (along with many others), used the tragicomedy to convey his characters’ development. ![]() I think of the Golden Age playwrights and the surprising formal hybridity they managed. (Just enter FORESTS at checkout.)įirst up today is Aurora Venturini, who kicks off the whole anthology, and who published her first book in 1942 and her most recent book in 2013. So, we have 18 authors left to cover in the Month of a Thousand Forests series, and you have 15 days left at which to get the collection for only $15. ![]()
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